An Exquisite Fusion of Tension and Technique in September 5
September 5, the much-anticipated 2025 film, has undoubtedly set a new benchmark in the docudrama genre. This masterfully crafted piece blends the gripping tension of a live event television recording studio with the authenticity of real archive footage, creating a cinematic experience that is both immersive and profoundly affecting.
The film is based on the true story of the Munich massacre that occurred during the 1972 Summer Olympics in Munich, West Germany. On September 5th, 1972, eight gunmen from the Palestinian militant group Black September infiltrated the Olympic village, killing two members of the Israeli athletic team and taking nine others hostage. The militants demanded the release of over 200 Palestinian prisoners in exchange for the hostages. The crisis lasted for seventeen hours, during which ABC Sports transitioned from sports reporting to covering the hostage situation live. The film showcases the intense atmosphere within the ABC Sports TV control room as network executive Roone Arledge and his team navigate the unprecedented crisis.
From the very first frame, September 5 thrusts its audience into a palpably tense atmosphere. The film’s setting within the confines of a live television recording studio is a stroke of genius. The narrow hallways, clustered control booths, and the omnipresent hum of machinery all contribute to a feeling of claustrophobia that mirrors the high-stakes environment of live broadcasting. As the narrative unfolds, the tension escalates, keeping viewers on the edge of their seats.
One of the standout features of September 5 is its impeccable technical craftsmanship. The integration of real archive footage into the narrative is nothing short of brilliant.
This fusion not only enhances the film’s authenticity but also provides a seamless transition between past and present events. The editing is razor-sharp, ensuring that the shifts in time and perspective are fluid and coherent.
The camera work on September 5 deserves special mention. Each shot is meticulously composed to heighten the sense of urgency and confinement. The use of tight close-ups and dynamic angles captures the raw emotions of the characters, while the fluid camera movements within the studio space add a layer of realism that is rarely seen in the genre. The cinematography effectively immerses the audience in the chaotic yet controlled world of live broadcasting.
The editing of September 5 is another triumph. The seamless blending of archive footage with the film’s primary narrative is handled with extraordinary finesse. The pacing is relentless, yet it allows for moments of introspection and character development. Each cut is purposeful, driving the story forward while maintaining a coherent visual and emotional flow. The editor’s ability to maintain tension throughout the film is commendable, making every scene impactful and engaging.
September 5 is a shining example of how technical prowess and narrative depth can combine to create a powerful docudrama. The film’s ability to convey the high-pressure environment of a live event television recording studio while seamlessly integrating real archive footage is a testament to the director’s vision and the entire crew’s dedication to their craft. It is a film that not only entertains but also offers a poignant reflection on the nature of live broadcasting of the early 1970s.
Nominated for an Academy Award, September 5 is showing in cinemas from February 21.
-Dirk Lombard Fourie