Darren Aronofsky’s Latest Dark Comedy of Errors

Darren Aronofsky’s latest film, Caught Stealing, takes a sharp turn from his previous psychological and thematic explorations, delving into the gritty world of late 1990s New York with a blend of action, dark comedy, and tragic missteps. 

While it may not reach the heights of Aronofsky’s masterpieces, this film provides an entertaining, if shadow-laced, journey through the city’s criminal underbelly.

The story centres on Hank Thompson (Austin Butler), a washed-up ex-baseball player whose days of glory are long gone. Through a series of unfortunate—and often comically absurd—events, Hank finds himself entangled in a high-stakes battle for survival. 

The Lower East Side of the late ‘90s becomes a character, its grime and neon-lit corners providing a vivid backdrop for Hank’s descent into chaos. Aronofsky’s direction ensures that New York’s seedy vibrance pulses through every scene, capturing both the nostalgia and the menace of the era.

The film introduces a motley crew of side characters, each more eccentric and dangerous than the last. From small-time hustlers to unpredictable crime lords, everyone seems to want something from Hank—whether he has it or not. This ensemble injects much of the film’s dark humour, their surly attitudes and unpredictable motives creating a constant sense of unease. The performances are solid across the board, with the lead actor bringing a weary gravitas to Hank, while supporting players provide sharp, memorable turns that help keep the pace brisk.

Aronofsky’s signature style is present, though somewhat subdued compared to his more experimental works. The film’s tone oscillates between grim violence and absurdist comedy, at times reminiscent of classic Coen brothers’ capers, but with a distinctly Aronofskian edge. The cinematography is gritty and kinetic, immersing viewers in the frenetic energy of Hank’s predicament. 

While the film doesn’t break new ground stylistically, it remains visually compelling and tightly constructed.

Beneath the action and laughs, Caught Stealing explores themes of redemption and the consequences of past mistakes. Hank’s journey is as much about confronting his own failures as it is about surviving the criminal chaos around him. The film doesn’t offer easy answers, instead suggesting that redemption is messy, often accidental, and sometimes bittersweet. 

This balance of humour and pathos gives the film its emotional resonance, even if it doesn’t reach the philosophical depths of Aronofsky’s best work.

Caught Stealing may not be a new classic in the Aronofsky canon, but it’s a thoroughly enjoyable ride through the shadows of New York City’s underworld. With its blend of dark comedy, action, and character-driven drama, the film stands as a testament to Aronofsky’s versatility as a filmmaker. 

Fans of gritty crime comedies and those who appreciate stories of imperfect redemption will find much to like here. While it may not be perfect, it’s certainly worth watching for its energy, performances, and unflinching look at the cost of survival.

Now showing in cinemas.

-Dirk Lombard Fourie