An In-Flight Thriller That Doesn’t Quite Soar

Flight Risk presents itself as a one-location thriller, a subgenre that has the potential to combine claustrophobic tension with gripping drama. However, while the film begins with promise, it ultimately settles into a very average entry within this category. This is largely due to its inability to capitalize on the thrilling premise fully.

Flight Risk, directed by Mel Gibson, centers around a pilot (Mark Wahlberg) who transports an Air Marshal (Michelle Dockery) who is accompanying a fugitive (Topher Grace) to trial. As they cross the Alaskan wilderness, tensions soar and trust is tested, as not everyone on board is who they seem, which becomes the unlikely setting for a high-stakes thriller. The film unfolds as the passengers and crew aboard a transatlantic flight find themselves embroiled in a tense situation when a mysterious threat emerges. With nowhere to escape and limited resources, they must navigate the perilous skies and uncover the truth behind the danger that looms.

Mel Gibson’s direction is commendable in terms of managing his three-piece cast. The performances are solid, with each actor delivering their role effectively under Gibson’s guidance. Despite this, the film struggles to maintain momentum throughout its runtime. The initial intrigue wanes as the story progresses, and the viewer is left yearning for deeper engagement during the in-flight service of the story.

The narrative builds up to a satisfying climax, with the invariable twist here and there, showcasing Gibson’s ability to craft moments of intense drama. Yet, this peak is somewhat overshadowed by the film’s middle act, which lacks the dynamic tension required to keep the audience invested. The pacing issues and occasional predictability detract from the overall experience, preventing Flight Risk from truly taking flight.

Flight Risk is a mixed bag. It demonstrates potential and delivers a climax that can be appreciated by thriller enthusiasts, though it is hampered by a lack of sustained suspense and depth. Gibson’s skill in directing actors is apparent, but the film leaves much to be desired in terms of maintaining the high stakes throughout the entirety of the journey. It’s a watchable thriller but falls short of soaring to great heights.

Now showing in a cinema near you.

-Dirk Lombard Fourie