The Bikeriders
An outstanding exploration of the motorcycle culture, The Bikeriders offers engaging food for thought, thanks to solid performances and the gritty realism of writer-director Jeff Nichols’ staunch approach.
The story is set in 1965. After a chance encounter at a local bar, strong-willed Kathy (Jodie Comer) is inextricably drawn to Benny (Austin Butler), the newest member of Midwestern motorcycle club, the Vandals led by the enigmatic Johnny (Tom Hardy). Much like the country around it, the club begins to evolve, transforming from a gathering place for local outsiders into a dangerous underworld of violence, forcing Benny to choose between Kathy and his loyalty to the club.
As a historical document, the film sheds light on the rise to power of denim-vested illegal motorcycle organisations in the 1960s and is utterly riveting.
The story is shared by three primary characters in The Bikeriders. As our narrator, Kathy becomes entangled in The Vandals motorbike club and her recollection, and the performances of Comer, Butler and Hardy make it clear why. While Kathy finds the other patrons of the Vandals’ pub that first evening repulsive as she recognises Benny for who he really is-the real deal.
The powerful and archaic concept of “bad boy” machismo in The Bikeriders, is reinforced by Butler’s excellent performance as Benny; he looks like a combination of Brad Pitt and James Dean. It’s extremely cool. Thrillingly awesome.
The violence depicted in The Bikeriders is unsettling, particularly the nonchalance with which the characters engage in it. Men punch and kick each other until they’ve solved their problems, and then casually go and have a beer.
From the moment Tom Hardy appears onscreen, you can’t help but anticipate what’s going to happen next; he channels Brando’s stoic, infallible, burning characteristics straight out of The Wild One. In one scene, Hardy’s Johnny, calmly croaks, “Fists or knives?” in response to a member’s challenge. This battle sequence is quite intense with tragic resolve.
The Bikeriders, offers insight into a culture that is often misunderstood and doesn’t glorify or mock. It’s a society you should definitely get on board with.
Ride along in cinemas from 2 August.
-Dirk Lombard Fourie